乔纳森·弗兰岑（Jonathan Franzen） 美国小说家、随笔作家。 1959年生于伊利诺伊州。1996年在《哈泼氏》杂志发表长篇随笔《偶尔做梦》，从此受到广泛关注。迄今为止，出版有小说《纠正》《自由》《纯洁》，回忆录《不舒适地带：个人史》，以及随笔集《如何独处》《地球尽头的尽头》等。凭借《纠正》获得普利策奖提名和美国国家图书奖。

乔纳森·弗兰岑（Jonathan Franzen） 美国小说家、随笔作家。 1959年生于伊利诺伊州。1996年在《哈泼氏》杂志发表长篇随笔《偶尔做梦》，从此受到广泛关注。迄今为止，出版有小说《纠正》《自由》《纯洁》，回忆录《不舒适地带：个人史》，以及随笔集《如何独处》《地球尽头的尽头》等。凭借《纠正》获得普利策奖提名和美国国家图书奖。

In The End of the End of the Earth, which gathers essays and speeches written mostly in the past five years, Jonathan Franzen returns with renewed vigor to the themes―both human and literary―that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird...(展开全部)

In The End of the End of the Earth, which gathers essays and speeches written mostly in the past five years, Jonathan Franzen returns with renewed vigor to the themes―both human and literary―that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird...(展开全部)

威尔•杜兰特（Will Durant，1885-1981），先后在美国圣彼得学院和哥伦比亚大学接受高等教育，后来进入哥伦比亚大学研究生物学，并在杜威的指导下攻读哲学，1971年获哥大博士学位。1926年，他出版了《哲学的故事》，获得出乎意料的成功，随后，他花了四十余年的 时间完成了广受好评的重要著作——11卷的《世界文明史》。 他于1968年获得普利策奖，1977年获得自由勋章奖。终其一生，杜兰特都致力于将哲学和知识从学术的象牙塔中解放出来。

威尔•杜兰特（Will Durant，1885-1981），先后在美国圣彼得学院和哥伦比亚大学接受高等教育，后来进入哥伦比亚大学研究生物学，并在杜威的指导下攻读哲学，1971年获哥大博士学位。1926年，他出版了《哲学的故事》，获得出乎意料的成功，随后，他花了四十余年的 时间完成了广受好评的重要著作——11卷的《世界文明史》。 他于1968年获得普利策奖，1977年获得自由勋章奖。终其一生，杜兰特都致力于将哲学和知识从学术的象牙塔中解放出来。

Reissued on the tenth anniversary of its publication, this classic work on our environmental crisis features a new introduction by the author, reviewing both the progress and ground lost in the fight to save the earth. This impassioned plea for radical and life-renewing change is today still considered a groundbreaking work in environmental studies. McKibben's argument that th...(展开全部)

Reissued on the tenth anniversary of its publication, this classic work on our environmental crisis features a new introduction by the author, reviewing both the progress and ground lost in the fight to save the earth. This impassioned plea for radical and life-renewing change is today still considered a groundbreaking work in environmental studies. McKibben's argument that th...(展开全部)

In The End of Art, Donald Kuspit argues that art is over because it has lost its aesthetic import. Art has been replaced by 'postart', a term invented by Alan Kaprow, as a new visual category that elevates the banal over the enigmatic, the scatological over the sacred, cleverness over creativity. Tracing the demise of aesthetic experience to the works and theory of Marcel Ducha...(展开全部)